10
The culture of effort
by benjamin ·

In all types of gatherings we see every day a general outcry that coincide in stating the loss of the culture of effort as one of the main problems to be solved to improve our prospects for social development. It is argued in this case with full reason, there has been a certain decline in the motivation of individuals to perform tasks that only be rewarded after a long period of time. Understanding why this effect occurs in today’s society we will make appropriate proposals to begin to reverse the situation:
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Throughout the history the family has been a radical celeula important for the future of individuals and species. They are classics and the study of Engels and others in this regard. Of course, we mean the family concept in a broad sense and ancient, in a sequence along mutable times and places, where the traditional Western version is just one of many possible alternatives. What defines a major part in the family institution, understood in a manner as open and multifaceted as we are able to imagine (polyandrous, polygamous, pairing, communal, traditional, single parent, gay …), is the altruistic component providing services established between caregivers and offspring.
Antonio Gramsci dies April 27, 1937. Yesterday was celebrated as the anniversary of his death. Elsewhere, Europe, for example, a tribute can be carried out even after that date. As there were many factors that can not publish the exact day of the anniversary of the death of Antonio Grasci, we chose to publish it now. 
Whoever you are interested in European political history of the last century impresses Das weisse Band, Michael Haneke. Disruptive, flawless, complex and subtle, the Austrian film director gets to turn in a convincing manner, at such a frequent subject of the origins of Nazi totalitarianism. In this case also shows all the sterility of philosophical thought, concentrated from Lukács to denounce the intellectual history of National Socialism, like the complete works of Nietzsche and Pareto were better that the financing capacity conforming millionaire in the twenties were the Nazi party paramilitary squads. The first merit of the film is and, therefore, escape from this intellectual genealogy (and banal) of fascism to get into their record more material, political and cultural.